Sound Design & Music Integration | Hossein Rahimian Majd

Client: JPA 1981 (جی پی ای)

Basketball Campaign – Percussive Sound Design

Pipeline Protocols & Technique

Core Technique: Foley Layering & Transient-Synced Sound Effects in Cubase

01 / Foley Construction

Court squeaks, ball impacts, and fabric movement were layered from custom foley recordings to give the footage a tactile, high-impact feel.

02 / Transient Syncing

Sound effect hits were nudged frame-accurate against the edit's visual impacts so every cut lands with a matching audio accent.

Client: Mihan Kaveh Co. (میهن کاوه)

Industrial Construction – Ambient Sound Bed Design

Pipeline Protocols & Technique

Core Technique: Layered Ambience & Low-End Machinery Mix in Fairlight

01 / Ambient Layering

Multiple recorded and library ambience tracks were blended to build a convincing sense of scale across the construction site without a single source sounding repetitive.

02 / Low-End Control

Heavy machinery frequencies were carefully mixed and sidechained beneath the score so the industrial mood came through without masking the music.

Client: Hidraz (هیدراز)

The Seahorse Manifesto – Score Mastering & Music Integration

Pipeline Protocols & Technique

Core Technique: Custom Score Composition & Loudness-Matched Mastering in FL Studio

01 / Score Composition

A custom ambient score was composed in FL Studio to match the organic, fluid brand identity, avoiding stock-library tropes.

02 / Final Mastering

The final mix was loudness-matched and mastered across both the intro and primary cuts so playback volume feels consistent regardless of which version autoplays.